In the early 2000s, artist Anabel Juárez moved from the Mexican state of Michoacán, where she was born, to Los Angeles County. Then 15 years old, she reeled from the cultural changes accompanying her ...
‘Every ten years or so, Parisian buildings must be resurfaced, and it is our bad luck to have caught the ravalement (restoration) so soon after moving in,’ says Anna, the protagonist of Scaffolding ...
Does Andrea Long Chu’s compendium of new and previously unpublished critical work establish her authority in the field, or simply confirm what we already know? In 2023, Andrea Long Chu was awarded the ...
The Greek artist will make a new commission for Frieze London 2026 that combines physical interaction with online game-playing ...
The spectre of childhood looms large in all lives, but perhaps more than most in that of artist, poet and ‘supermasochist’ Bob Flanagan. Born in 1952 with cystic fibrosis, doctors thought him unlikely ...
Emily LaBarge has a good story. The writer’s dream, one might think. Good stories – the more horrifying the better – are high currency in a cynical publishing landscape that capitalizes on traumatic ...
Kim Bohie, Towards, 2026, colour on canvas, 1.6 × 1.3 m. Courtesy: the artist and kaufmann repetto, Milan / New York Kim Bohie moved to Jeju Island, a large volcanic island in the Korea Strait, some ...
For those longing to see Frida Kahlo’s original paintings and know more about her internal world, ‘Frida: The Making of an Icon’, Tate Modern’s sprawling homage to the legendary painter has a lot to ...
Frieze Seoul will return to COEX in Gangnam, in partnership with Kiaf SEOUL, 2 – 5 September 2026. Alongside a feast of Korean and international galleries at the fair, a week-long programme of public ...
Dan Fox pays tribute to the life and work of a writer, theorist, cultural commentator, and friend, who passed away last week All of us at frieze are devastated to learn that our friend and ...
Ahead of the release of her first novel, Venus, Vanishing – about a Jewish artist in 1930s Berlin – the art historian shares ...
When faced with things we can’t explain, there are usually two reflexes: to look it up, or make things up. Often both. ‘When you see something scary that defies everything you’ve been told about ...